continuing education
Location Rua de Santiago, 18, Lisboa
Number of hours 48 hours - 100 Crédits
Price 221,50€ + 22,50€ (enrolment fee) + 2,50€ (ins) (170,00€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Tuesdays and Thursdays from 16h00 to 17h30
Type semestrial
Program The programme follows a chronological path from Pre-History up to Mannerism. The simple and didactic method intends to introduce the main themes in the history of art, resorting to plenty of visual information and bibliographic notes.
Teachers
Introduction to Art History: from the Baroque to the 21st Century
Date 23 Feb to 24 Jun 2010Location Rua de Santiago, 18, Lisboa
Number of hours 48 hours - 100 Crédits
Price 221,50€ + 22,50€ (enrolment fee) + 2,50€ (ins) (170,00€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Tuesdays and Thursdays from 14h30 to 16h00
Type semestrial
Program The building of modernity from the Baroque to the present. A metodologia simples e didáctica recorre a grande quantidade de informação visual e prestação de indicações bibliográficas.
Teachers
continuing education-evening
Introduction to Art History: Modern Art I
Date 7 Oct 2009 to 10 Feb 2010Location Rua de Santiago, 18, Lisboa
Number of hours 64 hours - 100 Credits
Price 275€ + 27,50€ (enrolment fee) + 2,50€ (ins) (200€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Mondays and Wednesdays from 21h00 to 23h00
Type semestrial
Program What is the “Modern Age”, “Modernism”, “Post-Modernism”? Introduction to the History of Art organised by theme; centred on the concept of “Modern Art”, its past and future.
Teachers
Aesthetics - Image and Similarity
Date 12 Oct 2009 to 08 Feb 2010Location Rua de Santiago, 18, Lisboa
Number of hours 48 hours - 100 credits
Price 221,50€ + 22,50€ (enrolment fee) + 2,50€ (ins) (170,00€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Monday from 18h00 to 21h00
Type semestrial
Program “The world belongs to those born to conquer it/ And not to those who dream of conquering it, even if they are right./ I have dreamt more than Napoleon did. / I have taken to my hypothetic bosom more humanities than Christ did, / I have made philosophies in secret that no Kant has written. / But I am, and perhaps will always be, the one in the mansion, / Even if I don’t live in it; / I will always be the one who wasn’t born for it; / I will always only be the one who had qualities; / I will always be the one who waited by a wall with no doors for the door to be opened, / And who has sung the song of Infinity in a henhouse, / And who has listened to the voice of God in a closed well./ Believe in me? Not in me, nor in anything.” (F.Pessoa/Álvaro de Campos)
Teachers
Curso Teórico - Simbolo/Diabolo: Quando a natureza exorbita
Date 7 Jan to 11 Feb 2010Location Rua de Santiago, 18, Lisboa
Number of hours 12 hours
Price 100€ + 10€ (enrolment fee) + 2,50€ (ins) (75€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Thursdays from 18h30 to 20h30
Type occasional
Teachers
Aesthetics - ‘et in arcadia ego’
Date 22 Feb to 21 Jun 2010Location Rua de Santiago, 18, Lisboa
Number of hours 48 hours - 100 credits
Price 221,50€ + 22,50€ (enrolment fee) + 2,50€ (ins) (170,00€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Monday from 18h00 to 21h00
Type semestrial
Teachers
Introduction to Art History: Modern Art II
Date 22 Feb to 23 Jun 2010Location Rua de Santiago, 18, Lisboa
Number of hours 64 hours - 100 Credits
Price 275€ + 27,50€ (enrolment fee) + 2,50€ (ins) (200€ for Ar.Co students)
Admission No requirements. By order of enrolment.
Schedule Mondays and Wednesdays from 21h00 to 23h00
Type semestrial
Program Music, cinema and architecture cross with ‘figurative’ arts in a thematic nucleus approach toward Art in the 20th century. What brings Anton Webern’s music and Mondrian’s paintings together? What brings Battleship Potemkin close to the Bauhaus’ building in Dessau? What brings be-bop, beat poets and road movies near Pollock’s paintings; Rauschenberg’s ‘combine paintings’ to the musical ‘happenings’ by John Cage; the readymades to DJ culture?
Teachers